Tuesday, August 14, 2018
Then I read the wonderful, delightful Gravity Falls: Lost Legends comic, and in a single beautiful, wonderful story it pulled the rug out from under basically all my plans. I'm not upset though. I'm happy they did it so much better than I would've! Part of what this project showed me is how far I still have to go before I can write something as weird and great as Gravity Falls. I was originally going to ignore that and just put out something just to prove that I could, buuuut Lost Legends.
I wasn't going to post these drawings, but since my plans are kind of up in the air I figured I'd go ahead and share them. The above image is finalizing some notes I had about the older Mabel and Dipper design. Originally I was going to have Mabel's braces removed now, but then one of my younger cousins threatened my life if I did that. Plus Dana Terrance, an actual Gravity Falls artist, drew Mabel with braces when she recently drew a non-canon adult Dipper and Mabel.
To illustrate the theme of everything falling apart, I wanted some kind of unexplained disaster to keep happening to the college buildings and parody a disaster movie. I wanted it to feel natural to Gravity Falls, and I wanted it to be a callback to a throwback joke from the original show. Hence, big woodpeckers. Dipper and Mabel would have seen birds flying away from the disasters the way birds do in cartoons. Then at the climax Dipper would suddenly realize, "Wait a minute! The birds aren't flying away from the disaster. They are the disaster!"
In the real show, Dipper had a rival named Robbie, and I wanted Dipper to have a new rival in this show. So I drew from the original design for the real character Wendy and created Cath. Something I sometimes think to myself is "natural friends like different things for the same reasons, and natural enemies like the same things for different reasons." Dipper does indeed meet someone like him, but she's a nightmare. Cath's a budding paranormal investigator, like Dipper, in the "Videography Club" that Dipper joins, but she does it to disprove or ridicule the odd things instead of to prove that they exist. She'd also maybe fill the cynic role left by Grunkle Stan (since his being in Antarctica with Ford would be one of the major plot points), though maybe this would end up being filled by Wendy (who after watching the deleted scenes I'm realizing got the short end of the stick; she's secretly hilarious). She was also tied to Mabel's plot arc in the series. Oh well.
This picture is some old art I did to illustrate the hard science fiction short story "Hello, Hello" by Seanan McGuire from the short story series Future Visions. I came across my drawing again recently, and I still like it. So I wanted to put it up here before I go back to college in a few days. The short story is about a woman in computational linguistics who designs a language converter that uses avatars to bridge the gap, especially so that her deaf sister can talk normally to people without them knowing. So she uses sign language, and the computer avatar talks out loud on the other end. However, the woman's daughter begins to use the program to talk to someone different who is using the aunt's computer. And because of the system, the mom has no idea who it is. It's incredibly well written, and I won't spoil the twist here. But I really liked it. So I drew one idea of what it would be like here.
It's my old style of drawing with no pupils, and it's clear I still need to practice drawing hair. It's just so weird to practice, though. The woman has the short, choppy, shoulder length hair I usually default to. Though for the daughter's hair I did try to capture the kind of stringy, all-over the place look of a girl her age. I added a few futuristic touches to the clothes and computer table. For example, the pattern on the mom's shirt is based on the patterns of "spray-on clothes" I've only seen videos of. But the biggest future touch was artistic license. Reading the short story, it seems like the avatar is definitely not a hologram, but I wanted to show it from the back to give the audience that uncertain feeling. For the avatar's head, I tried to kind of duplicate the too-perfect odd-looking shape of a CGI person like in Tron Legacy. Not sure how well I succeeded, which probably means I didn't. I still like it. Mostly, I just like the difference in expression between the mom and daughter. God is good.